In the article “Terms of Trade”, Michael Baxandall explains the interaction between 15th century Italian painting and the text on how the interpretation of social history from the style of images in a historical period, prominently examine early Renaissance painting. Baxandall not only tries to explain how painting style is reflected in a society, but also deals with the visual abilities and habits that develop from everyday life. The author examines the central focus on markets, material visual practices and the concept of the Renaissance period regarding art as an institution. Observe a Renaissance painting, which recounts the experience of activities such as preaching, dancing and evaluation. The author considers discussions on a wide variety of artistic painters, for example, Filippo Lippi, Beato Angelico, Stefano di Giovanni, Sandro Botticelli, Luca Signorelli, and numerous others. It defines and exemplifies concepts used in contemporary criticism of painting and in the set of basic equipment necessary to discover the art of the fifteenth century. Therefore this introduction to 15th century Italian painting and the social history behind it argues that the two are interconnected and that the conditions of the time helped shape the distinctive elements of the artist's pictorial style. Through institutional authorization Baxandall looks at integration into social, cultural and visual evaluation in a way that shows not only visual art in social construction, but how it plays an important role in social orders in many ways, from interaction to orders broader social structural .Furthermore, he considers dominant in marketing negotiations between an artist and his client the... medium of paper... the way in which the work of art is similar to the religious background of the Gospel but reconstructed in to a celebratory impression. Throughout the fresco the myth of the three temptations of Christ is depicted, referring to the article according to which "the distinction between fresco and panel painting is clear, and that painters are seen as competitors with each other, also discriminating between the difference in genuine attempts to be better than the other." Baxandall, “Conditions of Trade,” 26. related, the painting is about the painter's conscious response to the picture trade and non-isolation in pictorial interests. References Baxandall, Michael. " Commercial conditions". Painting and experience in fifteenth-century Italy. Oxford: Oxford University Press, 1988. Sandro, Botticelli. “The temptations of Christ”. fresco. Rome: Sistine Chapel, 1480-1482.