1. IntroductionThe emergence and early popularity of reality TV shows to some extent the huge market of selling "real experience" through the exposure of "realities" of privacy, relationship between players, etc. (Deery 2004 in the area of ​​TV programs). However, reality TV may not be inherently “real,” although almost all of the actors involved are non-professional actors and the programs are usually highly subscribed. Actors are actually carefully selected (e.g. auditions or interviews) and bound by various signed agreements, and all sections of filmed scenes are delicately edited with special purposes, making reality TV a kind of erasure of reality and fiction together (Bingchun & George (2003)). Hell's Kitchen is one of the “completion” type reality TV shows (Appleton & Yankelevits 2010) in America. This program pits all contestants to compete against each other and at least one player will be eliminated in each episode based on their performance (mainly in terms of culinary skill and teamwork aspects) judged by Chef Ramsay. Apparently, Ramsay in the setup process has absolute power in raising the contestants' performance in various tasks (e.g. cooking a certain dish) and directly deciding who should be eliminated or indirectly who will be the winner (last survivor). The article presents discussions of some elements of the language used by Chef Ramsay from the perspective of powder realization through analysis under the concept of register (Haliday 2004), which suggests that people tend to use certain recognizable configurations of linguistic resources in certain contexts. (Geoff 2004) The register could be divided into three dimensions, which are related to the three aspects of metafunctions (Haliday 2004): the field concerns what is... at the center of the sheet ...... and its use language .However, although analyzed with the register of discourse theory, the results presented in the power realization corner may fail to cover all the languages ​​used by Ramsey in the television program Hell's Kitchen, considering the limited sample size (less than 2 minutes. Transcript ), clips selected for the purpose of the topic (most of the scenes presented are related to topics) and the fact that reality TV programs process a high tolerance for changes in the languages ​​​​used - to be "real" ".Works Cited Amrin. Saraghih, (2007). Introduction to systemic functional grammar. Oxford: OUP.Deery (2004) Reality TV as AdvertisingGeoff Thompson, (2004). Introduction to functional grammar 2a. Oxford: OUP. Halliday, M. A. K. (2004). An introduction to functional grammar 3a. Oxford: OUP.Linda G. and Peter W. (2004). Making sense of functional grammar. Sydney: Southwood Press