A Man for All Seasons written by Robert Bolt incorporates both language and action to convey meaning and develop characters accordingly. In this particular excerpt where Cromwell, an enemy of More, gave More's family permission to visit More. Robert Bolt uses language and action in More's interaction with his family. More is developed as a man who, by his standards, is unjustly imprisoned and who is conflicted because his actions are the product of choosing between God and family. Say no to plagiarism. Get a tailor-made essay on "Why Violent Video Games Shouldn't Be Banned"? Get Original Essay Robert Bolt begins the excerpt from Margaret's vocative linguistic interaction with her father, More. Using this interaction Bolt highlights how worn out More has become over the last 2 years. Margherita's language introduces irony into the passage, which introduces an atmosphere of pathos into the atmosphere of the prison meeting. This idea of ​​irony is introduced when Margaret and More exchange greetings by repeatedly saying "good morning" to each other. This interaction provides irony, as in fact the morning is not "good" contrary to what they seem to portray. This irony further leads to More's worn-out well-being described as such by the modifier 'aged' which presents More as a man who has held his own for many years while also providing a contrast in the form of literature to the ironic "good morning" said by both his father and from her daughter. Furthermore, in this passage there is a development of falsehood in More's speech. This occurs when More states "it's not that bad" referring to the conditions of his imprisonment. This statement is central to More's presentation as it shows how he tries to use euphemism to hide his psychological distress from his family. Saying that "[prison] isn't that bad" is too vital to the illustration of More as a conflicted person as it portrays More's criticism of society in the 16th century. This act of More suppressing his own experience from his family further foreshadows his speech which addresses his criticisms of the society in which he lives. More supports this criticism by stating that prison is "remarkably like any other place". Using this symbolic language, More subtly describes the world as a prison itself, as people's rights are suppressed by mainstream society, reinforcing More's perception of prison as "not so bad" as it is no different than outside prison bars . the presentation grows further when the conflict between More and his family is introduced. This conflict between father and son begins when Roper first implores with exclamation that More "swear to the deed!" and admits in Margaret's presence that he is "under oath" to persuade More. Margaret later begins to try to persuade her father against him according to his old moral standards, contributing to the idea that More has "grown old". Margaret tells her father that "God considers the thoughts of the heart more than the words." An emotional gap having been established between the family, More takes action and defends his decision by elaborating on how important an oath is to a man, determining his identity. This idea is illustrated by More's analogy which states that "when a man takes an oath, Meg, he holds himself in his hands. Like water." In the summary of the extract More's impact on his family is finally strengthened. This improvement occurs when Margaret recognizes the void that More will leave when he is gone, having realized that he will be executed for high treason. Illustrating this coming void, Margaret says she hasn't yet said what the.