Topic > Comparison between "The Taming of the Shrew" and "10 Things I Hate About You"

The themes of William Shakespeare's classic works still sound relevant today and audiences around the world continue to appreciate them, both through traditional theatrical performances and through more contemporary interpretations. Shakespeare's The Taming of the Shrew and the 1999 film 10 Things I Hate About You, a modern version, revolve around two sisters, one of whom detests the status quo and does not get romantically involved, the other is widely sought after. by a series of suitors. However, young Bianca is not allowed to have a romantic relationship until her shrewish sister, Kate, does so first. Bianca's admirers come up with a solution to this problem: pay a strong-spirited man to commit to Kate. The film effectively embodies Shakespeare's original characters, while also examining the more delicate sides of their personalities that are not expressed in the play. Additionally, the film highlights the discrepancies between a late 1500s courtship and 1990s dating. Say no to plagiarism. Get a tailor-made essay on "Why Violent Video Games Shouldn't Be Banned"? Get an Original Essay The characters of Patrick Verona and Petruchio provide a contrast to Shakespeare's ideas as well as a modern parallel. Both characters were rewarded for making advances on a difficult, strong-willed woman. However, how they chose to treat the aforementioned woman varies. Petruchio's intention is to shatter Kate's fiery spirit in their marriage, while Patrick's feelings are genuine and his intentions are pure. In the play, Petruchio goes out of his way to squander Kate's individuality and turn her into an obedient, mindless toy. Petruchio speaks to Catherine: "And it would be better for us both to fast, since we are angry on our own, rather than feed him with such roasted meat. Be patient, tomorrow he will be well, and, for this night, we will fast for company" (IV. i.109-113). Although he acts under the guise of overcooked food, Petruchio's sole intention is to deprive his new bride of sustenance so as to weaken both mind and body to better bend her to his will. In contrast, Patrick does everything to ensure Kat's happiness. Patrick interrupts Kat's soccer practice to serenade her over the speaker as she dances in the stands in front of a large group of her peers. Here, Patrick's only motive is to express his sincere apologies for an altercation the two had the day before. His actions are not driven by a desire to rob Kat of her sense of self, any more than Petruchio's are in keeping Kate from food and sleep. Instead, Patrick just wants to see the joy in the eyes of the person he cares about. In terms of their passionate spirits, Kat and Kate are kindred spirits, but in the play Kate is much more burdened by oppressive gender roles. In both interpretations, it is clear that the female protagonist is considered by others to be a cunning tyrant. Women are feared by their peers, especially those of the opposite sex, who are intimidated by their strong will. Kate, who should have already been married to a wealthy man at the time, was without a suitor. After being told of this, Kate replies: "By faith, sir, you will never need to fear. I hope it is not half your heart. But if it were, doubt not that your care should be to comb your nut with a three-legged stool And paint your face and treat you like a madman" (Ii61-65). Kate is not at all fazed by her lack of marriage options. She wants nothing to do with men and wishes not to get married. Kat is also uninterested in one..