Ludwig van Beethoven was born in December 1770 in Bonn to parents Johann and Maria, who were excited and scared for the future of their newborn son. In his early thirties, he began to lose his hearing and became completely deaf in 1819. However, the hearing loss did not stop him from composing and during this period he produced some of his most renowned works. Symphony no. 5 in C minor by Ludwig van Beethoven, op. 67, was written between 1804 and 1808. It is one of the best-known compositions of classical music and one of the most frequently played symphonies. First performed at the Theater an der Wien in Vienna in 1808, the opera achieved its prodigious reputation soon after. ETA Hoffmann described the symphony as "one of the most important works of the era". The symphony consists of four movements. The first movement is Allegro con brio, the second movement is Andante con moto, the third movement is Scherzo Allegro and the fourth movement is Allegro. Say no to plagiarism. Get a tailor-made essay on "Why Violent Video Games Shouldn't Be Banned"? Get an original essay The first movement opens with the four-note motif, which is the most famous motif in Western music. There is considerable debate among conductors regarding how to play the opening four bars. Some conductors perform it with a strict and cheerful tempo. The rest take the liberty of heavy-handed treatment. The second movement, in A? major which is the subdominant key of the relative key of minor (E? major). It is an opera in the form of a double variation, which means that the two themes are presented and varied alternately. The third movement is in ternary form, consisting of a joke and a trio. It follows the traditional mold of symphonic third movements of the classical era, sequentially containing the main joke, a contrasting trio section, a return of the canzone, and a coda. The first movement is like the first act of a great drama. It is cast in sonata form, but with a great measure of tension and irregularity. This movement is Allegro con brio, 2/4 meters. Opening motif of primary importance, the first theme based on the overlapping presentation of the opening motif, the second theme was more lyrical, the closing theme starts conjunct, then becomes disjoint. The opening motif from bar 1 to bar 5 is presented by all strings and clarinets in unison and repeated one tone lower. The first theme arises from the overlapping presentations of the motif by the second violins, violas and first violins in turn. This opening section ends with a strong cadence on the dominant and general rest. The second theme, from bars 59 to 63, begins with a sweet and lyrical phrase, accompanied by the low string motif. The phrase is played in turn by violins, clarinet and flute with violin, after which it is prolonged by an ascending sequence of the violins. At the same time, the rhythm of the basic motif continues to assert itself in the lower strings, while the peak of pitch and dynamics is reached. For the closing themes, from bar 95 to 100, the rhythm of the fundamental motif returns and the exposition ends with a feeling of great power and a complete pause.