In this article, David Grann examines the work of Peter Paul Biro in an art authentication in a delightful title "The Mark of a Masterpiece" (Grann 1). In particular, Biro claimed to have innovatively designed a camera that is above and beyond any camera available. This leads to the understanding that this character is using his professionalism and ideas to get what he wants. In fact, he has amassed a dozen fortunes, including DARPA, NASA, several universities, and research and development fortunes from numerous departments of approximately five hundred technology companies, all of which are the result of his efforts. Therefore, we can hypothesize that the grandmother was a genius who used the same gift to achieve success. Furthermore, in his thirties, he astutely developed adequate information technology capable of processing highly definitive data. Indeed, he had mastery of both DNA analysis and forensic fingerprint analysis, as well as comprehensive knowledge of both art conservation and art history (Grann 2). With his professionalism, Grann has contributed to the world of art. He once said that everyone will try to see only what they want to see from portraits or paintings; a vision shared by other authors. Therefore, in conclusion we can say that Biro's ideology as described by the author; how a single genius combines his human idiosyncrasy which is in his awareness and capacity for exploitation which is characteristic of the elites of the art world. Artistic works are related to individual professionalism and understanding, which also determines their understanding and interpretation of such work and this has been controversially demonstrated by several authors and directors when addressing the same school. “Who the hell is Jackson Pollock? " (2006)Accor...... middle of paper ......d the posting may be small or large, however, all images, including photographs, include the artist's understanding when creating the image. We can therefore conclude that the artistic work is based on the ideals of the artist involved, but what one wants to read from them depends on the individual's perception of the image and what he intends to see from those arts Berger cited. "1". New York: Penguin Group, 2008. PrintDobbin B. “Summary of Persuasive Arguments: “The Persuasions”.” American Center (2003): 50-54.Grann D. The Mark of a Masterpiece. The New Yorker, July 12, 2010. PrintHeller N. Why a Painting is Like a Pizza: A Guide to Understanding and Appreciating Modern Art "Paintings That People Love to Hate", 6/11/2011, New Jersey: Princeton University Press. Print.Pollock J. Film: Who $#%& is Jackson Pollock? (2006)